A
2010-2011 CSDEM study made among its members by global research and
accountancy firm KPMG,
based on figures supplied by 53 of its members, showed that their
overall revenues reached €196m in 2011 (up 3.6% from 2010), with
majors accounting for 80% of that amount.
Rights
collected by authors' society SACEM/SDRM represented 64% of overall
revenues (€126m), up 2% on the previous year, with the increase in
performance rights (€78m, up from €73m) more than compensating
the drop in mechanical income (€43m, down from €47m).
At
€51m, non SACEM-related income represented about 25% of the
turnover, up 13%, thanks mainly to a growth in synchronization
revenues (€31m, up 31%). Revenues from the sale of sheet music
represented 9% of total revenues and were slightly down at €17m.
Local
repertoire accounted for 19% of rights collected (€24m), while the
origin of rights is split 42%-58% between the European Union and the
rest of the world, with the US taking a major share.
CSDEM's Angélique Dascier |
The
total number of works owned by the companies taking part in the
survey reached 6.9 million in 2011, against 6.1 million in 2010. The
significant rise is due to an increasing number of non-French works
represented by CSDEM members.
The
amount of advances paid to authors, composers and catalogue owners by
music publishers reached €9.2m in 2011, down 6% from 2010. Of that
amount, 22% was allocated to new talent, 64% to confirmed authors and
14% for international catalogues (up from 7% a year before).
These
figures give a good overview of the music publishing field in France,
although they do not cover the whole range of companies involved in
the sector, explains Angélique Dascier, General Manager of the Chambre Syndicale De l’Edition Musicale (CSDEM), the French music publisher's association.
“These are economic indicators of the sector,” she says. A new
study is underway covering 2013.
[This piece was part of a series on the French Music Market. Other stories include:
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