>
One of the most attended sessions at Eurosonic/Noordeslag was
'Google's view on music and the creative industry', and it was also
the most frustrating (at least for this writer!). Google was facing
the industry. So kudos to Simon
Morrison,
who works in London as part of the internet service's public affairs
team (in other words, a lobbyist), for accepting to walk into the
snake pit. But it was a walk in the park for him. First he gratified
us with a nice fairy tale: Google is great for the creative
community, copyright is important is for Google and Google can help
'you' maximise the value of your copyrights. Fair enough, since he
was given time, at least he could place a few Google adverts.
But what was then less pleasant was the inability from the panel – with included Billy Bragg manager Peter Jenner, Spotify's Will Page, Jeff Price and Buma-Stemra's head of public affairs Robbert Baruch – to come up (with a few exceptions) with questions that would destabilise the man from Google. Jenner started by asking why couldn't he get any clarity in the structure of the deal deal between Google and PRS for Music and why were there non-disclosure agreement (NDAs for the cognoscenti), and got a soft answer.
Then Jenner and Price started bickering about the role of government in setting rates, and it went wrong from there (aside from Baruch who quite rightly pointed out that Google's lobbying aims are far from transparent – “we are quite transparent" was the answer) and Morrison was looking at it this circus with some sort of bemusement, and was probably very relieved to see that the focus had shifted. So the moral of all this: If the industry intends to take on Google, it'd better clean up its act beforehand and speak with at least some sort of united front...
But what was then less pleasant was the inability from the panel – with included Billy Bragg manager Peter Jenner, Spotify's Will Page, Jeff Price and Buma-Stemra's head of public affairs Robbert Baruch – to come up (with a few exceptions) with questions that would destabilise the man from Google. Jenner started by asking why couldn't he get any clarity in the structure of the deal deal between Google and PRS for Music and why were there non-disclosure agreement (NDAs for the cognoscenti), and got a soft answer.
Then Jenner and Price started bickering about the role of government in setting rates, and it went wrong from there (aside from Baruch who quite rightly pointed out that Google's lobbying aims are far from transparent – “we are quite transparent" was the answer) and Morrison was looking at it this circus with some sort of bemusement, and was probably very relieved to see that the focus had shifted. So the moral of all this: If the industry intends to take on Google, it'd better clean up its act beforehand and speak with at least some sort of united front...
>
Beggars Group founder Martin
Mills
came across as clever, witty, unfussed, intellectually sharp and
quite modest during the one-hour keynote Q&A at Groningen with
yours truly. It was very pleasant and informative and it seems that
the audience was listening. He was so weary and stressed before
starting the interview that he asked for a glass of schnapps or
“anything strong”. I guess the vodka got him going... My
favourite quote from him (tweeted by Mark Mulligan): “[Former
Warner Music chief executive] Lyor
Cohen
said '360 deals are our new religion' and I said 'Well, I'm an
atheist then'.”
C2C at the Border Breakers Awards (Photo: René Keijzer) |
>
C2C were the clear revelation of this year's European Border Breaker Awards. The gang of 4 French DJs proved that you
can have dance music that can be both fresh and intelligent, whilst
being also entertaining. Other winners/performers include Amor Electro from Portugal, French Films from Finland, Juan Zelada from Spain, Ewert and the Two Dragons from Estonia, Nahiba from Denmark and Dope DOD from the Netherlands, introduced by none other than the Dutch Minister of Culture, which in itself was quite a treat (how about hearing the word 'dope' from a politician...). Overall a good show for the tenths anniversary of the awards, hosted by a Jools Holland in good form.
[Disclosure: As one of the founders of these awards, I am still in charge of the pre-selection of artists. To qualify, they must have released a debut album which has had some airplay and sales traction outside of the artist's country of origin (tracked through Nielsen data), plus having played live in several countries outside of theirs (especially through the ETEP programme). In addition, programmers from EBU stations chip in with some editorial suggestions. The EBBAs are supported by the European Commission.]
[Disclosure: As one of the founders of these awards, I am still in charge of the pre-selection of artists. To qualify, they must have released a debut album which has had some airplay and sales traction outside of the artist's country of origin (tracked through Nielsen data), plus having played live in several countries outside of theirs (especially through the ETEP programme). In addition, programmers from EBU stations chip in with some editorial suggestions. The EBBAs are supported by the European Commission.]
> After resisting for over a year, I have finally opened a Twitter account... You can now follow my words of wisdom @legrandnetwork
[Typed
while listening to The Byrds's 'Younger Than Yesterday']
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