By Emmanuel Legrand
If you look at the past ten years, the
legacy of shows like 'Pop Idol', 'X-Factor', 'The Voice', and many
others, is quite poor – regardless of the countries where TV reality shows have blossomed thanks to the gang of
Simons (Cowell and Fuller).
Lemar |
Most of the artists that have been
“revealed” by these shows have fallen into the deep abysses of
show biz, sometimes after just a single, if lucky, and few have
managed to make a career that would last. One of the rare examples of
longevity is British R&B/pop act Lemar. It is now ten years since
he graduated from the BBC's 'Fame Academy', and he is still around. A
new album, his fifth studio effort, 'Invincible', is coming out this week.
Last week, at the invitation of Nanette
Rigg and as part of the London City Showcase programme, I did an
hour-long Q&A session/workshop with Lemar, talking about about his vision of the
business of music. I had never met Lemar before and was never into
his music although I did acknowledge his hits. But I was interested in meeting him because he seemed to have a can-do and work-hard approach to his craft.
Our discussion
confirmed that Lemar is far more grounded than most of his
peers, and also a bit more attuned to the intricacies of this
business, which could explain his longevity (he certainly does not seem to
have lived the same life as, say, Pete Doherty). He also has a good sense of humour. And unlike most of
the other contenders that were on TV reality shows, the big machine (not
Florence's) did not eat him, chew him and spit him out.
He said he owed this unusual longevity to several factors. First, the thing about Lemar is that he was not
an instant success. He was 24 when he came third at the Academy
(which probably saved him from the oblivion where the winner and the
runner-up must currently reside), but before that, he had been in the
business since the age of 17, learning the ropes, playing gigs in
shitty places, building up his songwriting skills, and understanding
the business he was in. And more than once, he was tempted to call it a day, but there was always something that brought him back into the game.
Secondly, he did not win, so he did not
get priority treatment from Universal. He had to wait patiently for a
call from them, and then they passed! Which allowed him to see
elsewhere and he found in Nick Raphael at Epic the champion and the
A&R executive that he needed. He was also solidly managed by
Richard Griffiths at The Firm. (He no longer is managed by Griffiths)
Thirdly, he was not simply a performer
of songs written by others – he was also a songwriter, who could
make decisions about the direction he wanted to go. This has also
earned him much valuable income from publishing (one of the things he
understood from a very early age was the importance and value of
publishing).
Fourth, he is a natural-born performer.
He loves the stage and he's been able to build a following that went
just beyond the public watching a TV show.
So today, after a hiatus to see his
kids growing, Lemar is still in the loop and he wants to be there on
his own terms. After a decade with a major company he's gone indie, which is at the
same time commendable and dangerous. But then, these are the right
times for the emancipation of artists.
He has now his own label, Angelic Media
Limited, which looks more like a boutique rather than an vanity
label. With his pal from the early days, Terry Brown from
2beinspired, he picked a few partners (EMI for the distribution), a
plugger and a touring company, and off he went, recording and
releasing new songs. He will be hitting the road in December. His
music may not be cutting-edge but he makes no bones that he is in the
pop business.
As he said during our conversation,
being independent represents is a greater financial risk for him, but
there is also a greater financial reward. His royalty share is much
higher than it used to be, and, more importantly, he controls the whole process. So if he gets it wrong, he's got no one else but him to blame. Good luck to him!
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